Strymon Deco

No, I'm very impressed with it. Very impressed. Cool

The Deco is a really cool studio tool because it instantly allows you to get some nice stereo width and blend it in to whatever degree you like. Additionally there is the tape saturation of course which can provide some fatness to the low end and natural sounding compression. If you’re interested in stuff like this check out the [full and consider subscribing to [my

On the reverb side, it really shines on the '70s setting, and the '80s setting is beautiful and strange, but the '60s spring just doesn't seem to match the natural "drip" of the onboard reverb on my **Fender Blues Jr..** The tremelo is nice, especially the '63 tube, but I find myself missing my **Fulltone Supa Trem** which sounded a little more organic and also gave my amp a little boost. All that said, it is nice to have two Strymon pedals working in tandem, and they sure look handsome next to each other on the board. My board is intentionally small so that I can focus mostly on playing, so my **Deco** ended up booting my overdrive off the board (**Fulltone OCD**). I do like to challenge myself to only playing low gain though, as it keeps me from just rocking out and noodling when I am trying to work on a new piece but I might end up trying to find some miniature distortion pedal to squeeze in there.

Strymon Deco. Comped, no-eq overdrive that just sounds right and chorus/flange/slap delay too. Amazing pedal.

I have been using Strymon Deco, Demedash T-120, Oceans 11/12, Midfi Claripirate, and OBNE flat light for about a year non-stop. They’re pretty dope.